{
  "method": "built-in image_gen; maximum 10 concurrent calls",
  "images": [
    {
      "id": 1,
      "chapter": 1,
      "first": 1,
      "last": 5,
      "title": "태초의 말씀, 생명의 빛",
      "kind": "metaphor",
      "image": "john-001-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 1:1–5.\nScene: Visual metaphor: first sunrise over primordial water and rugged mountains, light opening the horizon; no personification of God.\nLayout enforcement: a complete principal subject group contained in x=55–88%, leave left 42% quiet and free of storytelling subjects. Wider framing, no subject crowded against the right edge. Preserve exact passage distinctions and physical plausibility. One 16:9 landscape cinematic frame.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 2,
      "chapter": 1,
      "first": 6,
      "last": 8,
      "title": "빛을 증언하는 사람",
      "kind": "narrative",
      "image": "john-002-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 1:6–8.\nScene: John the Baptist seen from behind in coarse camel-hair clothing addressing travelers at a Judean wilderness river.\nLayout enforcement: a complete principal subject group contained in x=55–88%, leave left 42% quiet and free of storytelling subjects. Wider framing, no subject crowded against the right edge. Preserve exact passage distinctions and physical plausibility. One 16:9 landscape cinematic frame.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 3,
      "chapter": 1,
      "first": 9,
      "last": 13,
      "title": "참 빛을 받아들이는 사람들",
      "kind": "metaphor",
      "image": "john-003-right-v3-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 1:9–13.\nScene: Visual metaphor: a first-century village doorway open to morning light, women and men welcoming a traveler while other doors remain shut.\nLayout enforcement: a complete principal subject group contained in x=55–88%, leave left 42% quiet and free of storytelling subjects. Wider framing, no subject crowded against the right edge. Preserve exact passage distinctions and physical plausibility. One 16:9 landscape cinematic frame.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 4,
      "chapter": 1,
      "first": 14,
      "last": 18,
      "title": "말씀이 우리 가운데 거하시다",
      "kind": "narrative",
      "image": "john-004-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 1:14–18.\nScene: Jesus in plain undyed tunic and muted sand mantle, back view walking among ordinary men and women in an inhabited Galilean stone village, intimate human presence.\nLayout enforcement: a complete principal subject group contained in x=55–88%, leave left 42% quiet and free of storytelling subjects. Wider framing, no subject crowded against the right edge. Preserve exact passage distinctions and physical plausibility. One 16:9 landscape cinematic frame.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 5,
      "chapter": 1,
      "first": 19,
      "last": 23,
      "title": "광야에서 외치는 소리",
      "kind": "narrative",
      "image": "john-005-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 1:19–23.\nScene: Priests and Levites questioning John at the Jordan river, John gesturing toward the wilderness path, respectful debate.\nLayout enforcement: a complete principal subject group contained in x=55–88%, leave left 42% quiet and free of storytelling subjects. Wider framing, no subject crowded against the right edge. Preserve exact passage distinctions and physical plausibility. One 16:9 landscape cinematic frame.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 6,
      "chapter": 1,
      "first": 24,
      "last": 28,
      "title": "그분의 신발 끈도 풀 수 없는 사람",
      "kind": "metaphor",
      "image": "john-006.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 1:24–28.\nScene: Close view of rough leather sandal straps beside river stones, John's humble lowered hands; teaching illustration, no baptism of Jesus shown.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 7,
      "chapter": 1,
      "first": 29,
      "last": 34,
      "title": "하나님의 어린 양을 증언하다",
      "kind": "narrative",
      "image": "john-007-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 1:29–34.\nScene: John pointing toward Jesus walking along Jordan riverbank, dove above river, Jesus distant rear three-quarter view; witness to the Spirit, no halo.\nLayout enforcement: a complete principal subject group contained in x=55–88%, leave left 42% quiet and free of storytelling subjects. Wider framing, no subject crowded against the right edge. Preserve exact passage distinctions and physical plausibility. One 16:9 landscape cinematic frame.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 8,
      "chapter": 1,
      "first": 35,
      "last": 39,
      "title": "와서 보라",
      "kind": "narrative",
      "image": "john-008-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 1:35–39.\nScene: Two disciples following Jesus along a sunlit narrow path toward a simple lodging, view from behind, invitation and discovery.\nLayout enforcement: a complete principal subject group contained in x=55–88%, leave left 42% quiet and free of storytelling subjects. Wider framing, no subject crowded against the right edge. Preserve exact passage distinctions and physical plausibility. One 16:9 landscape cinematic frame.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 9,
      "chapter": 1,
      "first": 40,
      "last": 42,
      "title": "형제를 데려온 안드레",
      "kind": "narrative",
      "image": "john-009-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 1:40–42.\nScene: Andrew bringing his brother Simon to meet Jesus at a village doorway, Jesus seen from behind, three adults only.\nLayout enforcement: a complete principal subject group contained in x=55–88%, leave left 42% quiet and free of storytelling subjects. Wider framing, no subject crowded against the right edge. Preserve exact passage distinctions and physical plausibility. One 16:9 landscape cinematic frame.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 10,
      "chapter": 1,
      "first": 43,
      "last": 46,
      "title": "빌립의 초대",
      "kind": "narrative",
      "image": "john-010-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 1:43–46.\nScene: Philip finding Nathanael beside a fig tree and inviting him to come, attentive original male faces, Galilean orchard.\nLayout enforcement: a complete principal subject group contained in x=55–88%, leave left 42% quiet and free of storytelling subjects. Wider framing, no subject crowded against the right edge. Preserve exact passage distinctions and physical plausibility. One 16:9 landscape cinematic frame.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 11,
      "chapter": 1,
      "first": 47,
      "last": 51,
      "title": "무화과나무 아래의 나다나엘",
      "kind": "narrative",
      "image": "john-011-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Nathanael under a spreading fig tree looking toward Jesus, canopy opens to clear sky, Jesus rear view, no literal angel ladder.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 1:47–51.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 12,
      "chapter": 2,
      "first": 1,
      "last": 5,
      "title": "포도주가 떨어진 혼인 잔치",
      "kind": "narrative",
      "image": "john-012-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Cana wedding courtyard with men and women, empty serving jug foreground, Jesus's mother quietly speaking with servants, modest first-century banquet.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 2:1–5.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 13,
      "chapter": 2,
      "first": 6,
      "last": 8,
      "title": "여섯 돌항아리에 물을 채우다",
      "kind": "narrative",
      "image": "john-013-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Exactly six large limestone purification jars, servants filling them with water to the brim, close action in Cana courtyard.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 2:6–8.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 14,
      "chapter": 2,
      "first": 9,
      "last": 12,
      "title": "물을 포도주로 바꾸신 첫 표적",
      "kind": "narrative",
      "image": "john-014-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Steward tasting rich red wine in an earthen cup, servants holding filled pitcher, bride and groom blurred in the courtyard, realistic wonder.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 2:9–12.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 15,
      "chapter": 2,
      "first": 13,
      "last": 17,
      "title": "아버지의 집을 장사하는 집으로 만들지 말라",
      "kind": "narrative",
      "image": "john-015-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jerusalem temple outer court, overturned money-changers table and scattered coins, sheep moving away, Jesus back view, no injury or strikes.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 2:13–17.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 16,
      "chapter": 2,
      "first": 18,
      "last": 22,
      "title": "사흘 만에 일으킬 성전",
      "kind": "narrative",
      "image": "john-016-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus teaching before immense Second Temple limestone columns, listeners misunderstanding his words about the temple of his body; no depiction of a temple actually collapsing.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 2:18–22.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 17,
      "chapter": 2,
      "first": 23,
      "last": 25,
      "title": "사람의 마음을 아시는 분",
      "kind": "narrative",
      "image": "john-017-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus seen from behind within a Passover crowd in Jerusalem, a variety of thoughtful listeners, human reactions rather than mind-reading effects.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 2:23–25.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 18,
      "chapter": 3,
      "first": 1,
      "last": 4,
      "title": "밤에 찾아온 니고데모",
      "kind": "narrative",
      "image": "john-018-right-v3-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 3:1–4: 그런데 바리새인 중에 니고데모라 하는 사람이 있으니 유대인의 지도자라 그가 밤에 예수께 와서 이르되 랍비여 우리가 당신은 하나님께로부터 오신 선생인 줄 아나이다 하나님이 함께 하시지 아니하시면 당신이 행하시는 이 표적을 아무도 할 수 없음이니이다 예수께서 대답하여 이르시되 진실로 진실로 네게 이르노니 사람이 거듭나지 아니하면 하나님의 나라를 볼 수 없느니라 니고데모가 이르되 사람이 늙으면 어떻게 날 수 있사옵나이까 두 번째 모태에 들어갔다가 날 수 있사옵나이까 Required correction: Replace ONLY upper-right hanging three thick white candles with single shallow open bronze oil lamp on same chain, one small wick flame. Preserve Nicodemus face/hands/scroll, back-only Jesus, table oil lamp/nightlight. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 19,
      "chapter": 3,
      "first": 5,
      "last": 8,
      "title": "물과 성령으로 거듭나다",
      "kind": "metaphor",
      "image": "john-019-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Visual metaphor: wind moving linen curtain beside a clay water basin, fig leaves beyond a courtyard, crisp material detail, no baby or literal rebirth.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 3:5–8.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 20,
      "chapter": 3,
      "first": 9,
      "last": 13,
      "title": "땅의 일과 하늘의 일",
      "kind": "narrative",
      "image": "john-020-right-v3-feedback-20261019-v2.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Night courtyard dialogue, Nicodemus listening with a partially unrolled scroll on his knees, Jesus seen from rear, starlit sky and usable lamplight.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 3:9–13.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 21,
      "chapter": 3,
      "first": 14,
      "last": 15,
      "title": "광야에서 들린 뱀처럼",
      "kind": "metaphor",
      "image": "john-021-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Scripture comparison: ancient Israel wilderness encampment with a bronze serpent elevated on a simple pole, distant tents and people looking up, no injury.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 3:14–15.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 22,
      "chapter": 3,
      "first": 16,
      "last": 18,
      "title": "세상을 사랑하신 하나님",
      "kind": "metaphor",
      "image": "john-022-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Visual metaphor: diverse first-century families in a sunlit village, a doorway welcoming the weary; convey grace and offered life, no human image of God.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 3:16–18.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 23,
      "chapter": 3,
      "first": 19,
      "last": 21,
      "title": "빛으로 나아오는 사람",
      "kind": "metaphor",
      "image": "john-023-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Visual metaphor: solitary adult crossing from a shaded stone passage into open daylight, visible landscape and hopeful movement.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 3:19–21.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 24,
      "chapter": 3,
      "first": 22,
      "last": 26,
      "title": "두 곳의 세례와 제자들의 질문",
      "kind": "narrative",
      "image": "john-024-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Judean springs near Aenon, John and his disciples with people approaching the water, calm conversation and crowded riverbanks.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 3:22–26.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 25,
      "chapter": 3,
      "first": 27,
      "last": 30,
      "title": "그는 흥하고 나는 쇠하다",
      "kind": "narrative",
      "image": "john-025-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: John quietly stepping aside while travelers follow the distant Jesus, wide wilderness path, humble posture, balanced light.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 3:27–30.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 26,
      "chapter": 3,
      "first": 31,
      "last": 36,
      "title": "위로부터 오시는 분의 증언",
      "kind": "narrative",
      "image": "john-026-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus back view teaching by a river with men and women listening, open sky above, no supernatural descending figure.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 3:31–36.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 27,
      "chapter": 4,
      "first": 1,
      "last": 6,
      "title": "사마리아를 지나 우물에 앉으시다",
      "kind": "narrative",
      "image": "john-027-right-v3-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 4:1–6: 예수께서 제자를 삼고 세례를 베푸시는 것이 요한보다 많다 하는 말을 바리새인들이 들은 줄을 주께서 아신지라 (예수께서 친히 세례를 베푸신 것이 아니요 제자들이 베푼 것이라) 유대를 떠나사 다시 갈릴리로 가실새 사마리아를 통과하여야 하겠는지라 사마리아에 있는 수가라 하는 동네에 이르시니 야곱이 그 아들 요셉에게 준 땅이 가깝고 거기 또 야곱의 우물이 있더라 예수께서 길 가시다가 피곤하여 우물 곁에 그대로 앉으시니 때가 여섯 시쯤 되었더라 Required correction: 요4:11물길을그릇없음 명확히 우물공용두레박/매달린줄 제거 빈틀만. 아직여자오기전 예수홀로뒷모습/한낮/수가마을/손발자세 유지. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 28,
      "chapter": 4,
      "first": 7,
      "last": 9,
      "title": "물을 좀 달라",
      "kind": "narrative",
      "image": "john-028-right-v3-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 4:7–9: 사마리아 여자 한 사람이 물을 길으러 왔으매 예수께서 물을 좀 달라 하시니 이는 제자들이 먹을 것을 사러 그 동네에 들어갔음이러라 사마리아 여자가 이르되 당신은 유대인으로서 어찌하여 사마리아 여자인 나에게 물을 달라 하나이까 하니 이는 유대인이 사마리아인과 상종하지 아니함이러라 Required correction: Remove well's communal hanging bucket AND dangling rope, optionally empty wooden beam retained; remove extra small rim jar. Woman keeps her own water jar. Preserve woman and seated Jesus strictly back-view, well stone/landscape. John4:11 Jesus has nothing to draw with; avoid ready communal vessel. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 29,
      "chapter": 4,
      "first": 10,
      "last": 15,
      "title": "다시 목마르지 않는 생수",
      "kind": "metaphor",
      "image": "john-029-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 4:10–15.\nScene: Teaching metaphor: close view of a Samaritan woman's naturally connected hands holding a clay cup on the RIGHT, clear water being poured from a handheld small clay pitcher above it; softly blurred limestone and olive grove on the LEFT, ordinary downward water flow, no tap, pipe, spout or spring emerging from the well wall, no light effects.\nProduction revision: one landscape 16:9 frame. Strongly prioritize the LEFT scripture safe area and RIGHT storytelling composition. Do not repeat another scene's event. Inspect anatomy and object interactions before completing the image.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 30,
      "chapter": 4,
      "first": 16,
      "last": 19,
      "title": "나의 삶을 아시는 분",
      "kind": "narrative",
      "image": "john-030-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 4:16–19.\nScene: Samaritan woman pausing thoughtfully beside the well, respectful human emotion, Jesus back view listening, no invented husbands or romantic scenes.\nProduction revision: one landscape 16:9 frame. Strongly prioritize the LEFT scripture safe area and RIGHT storytelling composition. Do not repeat another scene's event. Inspect anatomy and object interactions before completing the image.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 31,
      "chapter": 4,
      "first": 20,
      "last": 24,
      "title": "신령과 진정으로 드리는 예배",
      "kind": "narrative",
      "image": "john-031-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 4:20–24.\nScene: Woman and Jesus talking beside the well with Mount Gerizim beyond, open spacious landscape, no invented sanctuary or ritual.\nProduction revision: one landscape 16:9 frame. Strongly prioritize the LEFT scripture safe area and RIGHT storytelling composition. Do not repeat another scene's event. Inspect anatomy and object interactions before completing the image.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 32,
      "chapter": 4,
      "first": 25,
      "last": 26,
      "title": "네게 말하는 내가 그로라",
      "kind": "narrative",
      "image": "john-032-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 4:25–26.\nScene: Samaritan woman's original face in an attentive hopeful three-quarter profile, Jesus's shoulder in foreground, simple well and daylight.\nProduction revision: one landscape 16:9 frame. Strongly prioritize the LEFT scripture safe area and RIGHT storytelling composition. Do not repeat another scene's event. Inspect anatomy and object interactions before completing the image.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 33,
      "chapter": 4,
      "first": 27,
      "last": 30,
      "title": "물동이를 두고 마을로",
      "kind": "narrative",
      "image": "john-033-right-v4.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 4:27–30.\nScene: Abandoned clay water jar foreground by the well, woman walking rapidly toward Sychar village with townspeople emerging, no text.\nCritical composition correction: the abandoned intact clay water jar is an IMPORTANT storytelling object. Place it UPRIGHT on stable dry ground in the RIGHT foreground, around x=62%, beside the outside of a small stone well at x=70%. Woman moves away toward the village at x=80%, with townspeople further right. Left 42% must contain ONLY quiet landscape and empty path, no jar, no well, no people. Keep the WHOLE jar visible; do not tip it over, spill water or make a broken vessel. Show a natural walking stride and attached sandaled feet, no distorted or oversized sole. No modern spigot or buildings. Preserve the reference's bright Mediterranean film tone, limestone and original historical costumes. One wide 16:9 frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 34,
      "chapter": 4,
      "first": 31,
      "last": 34,
      "title": "아버지의 뜻을 이루는 양식",
      "kind": "narrative",
      "image": "john-034-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 4:31–34.\nScene: Disciples offering bread to Jesus at the well, Jesus gesturing outward to the village, rear view; food not a miraculous banquet.\nProduction revision: one landscape 16:9 frame. Strongly prioritize the LEFT scripture safe area and RIGHT storytelling composition. Do not repeat another scene's event. Inspect anatomy and object interactions before completing the image.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 35,
      "chapter": 4,
      "first": 35,
      "last": 38,
      "title": "눈을 들어 추수할 밭을 보라",
      "kind": "metaphor",
      "image": "john-035-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 4:35–38.\nScene: Teaching metaphor: ripe grain field stretching beside the Samaritan village, workers sowing and harvesting seen at distance, golden daylight.\nProduction revision: one landscape 16:9 frame. Strongly prioritize the LEFT scripture safe area and RIGHT storytelling composition. Do not repeat another scene's event. Inspect anatomy and object interactions before completing the image.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 36,
      "chapter": 4,
      "first": 39,
      "last": 42,
      "title": "우리가 친히 듣고 믿노라",
      "kind": "narrative",
      "image": "john-036-right-v3.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 4:39–42.\nScene: Samaritan women and men gathering with Jesus in a village courtyard, woman among her neighbors, calm communal listening.\nProduction revision: one landscape 16:9 frame. Strongly prioritize the LEFT scripture safe area and RIGHT storytelling composition. Do not repeat another scene's event. Inspect anatomy and object interactions before completing the image.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 37,
      "chapter": 4,
      "first": 43,
      "last": 45,
      "title": "다시 갈릴리로",
      "kind": "narrative",
      "image": "john-037-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus and disciples traveling north on a Galilean hillside path, village beyond, all rear view, natural road and distance.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 4:43–45.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 38,
      "chapter": 4,
      "first": 46,
      "last": 50,
      "title": "가라, 네 아들이 살았다",
      "kind": "narrative",
      "image": "john-038-right-v3-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 4:46–50: 예수께서 다시 갈릴리 가나에 이르시니 전에 물로 포도주를 만드신 곳이라 왕의 신하가 있어 그의 아들이 가버나움에서 병들었더니 그가 예수께서 유대로부터 갈릴리로 오셨다는 것을 듣고 가서 청하되 내려오셔서 내 아들의 병을 고쳐 주소서 하니 그가 거의 죽게 되었음이라 예수께서 이르시되 너희는 표적과 기사를 보지 못하면 도무지 믿지 아니하리라 신하가 이르되 주여 내 아이가 죽기 전에 내려오소서 예수께서 이르시되 가라 네 아들이 살아 있다 하시니 그 사람이 예수께서 하신 말씀을 믿고 가더니 Required correction: Royal official is not a king. Remove ornate golden diadem/headband from petitioning man, keep same black curls/bare head and face, green embroidered robe and pleading hands. Preserve Jesus STRICTLY BACK-VIEW and Cana village/light; do not reveal face. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. Never depict God as a human body or face; no invented heavenly figures unless explicitly required by the passage. For all carried arks completely conceal chest AND cherubim under one plain deep blue cloth. For fixed inner sanctuary scenes retain the actual prescribed cherubim. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 39,
      "chapter": 4,
      "first": 51,
      "last": 54,
      "title": "살아난 아들, 믿게 된 집",
      "kind": "narrative",
      "image": "john-039-right-v3-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 4:51–54: 내려가는 길에서 그 종들이 오다가 만나서 아이가 살아 있다 하거늘 그 낫기 시작한 때를 물은즉 어제 일곱 시에 열기가 떨어졌나이다 하는지라 그의 아버지가 예수께서 네 아들이 살아 있다 말씀하신 그 때인 줄 알고 자기와 그 온 집안이 다 믿으니라 이것은 예수께서 유대에서 갈릴리로 오신 후에 행하신 두 번째 표적이니라 Required correction: Remove only royal official father's gold circlet/headband, restore same dark hair bareheaded. Preserve same face/back-view red cloak, greeting arms, healthy boy/mother/servants/bed/doorway and light. Gold headband alone need not imply king, so clarify role without identity replacement. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 40,
      "chapter": 5,
      "first": 1,
      "last": 4,
      "title": "베데스다 못의 기다림",
      "kind": "narrative",
      "image": "john-040-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Pool near Jerusalem Sheep Gate with five colonnaded porticoes, ill people resting on mats, realistic human dignity, water surface still, no literal descending angel.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 5:1–4.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 41,
      "chapter": 5,
      "first": 5,
      "last": 7,
      "title": "삼십팔 년의 기다림",
      "kind": "narrative",
      "image": "john-041-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Older man resting on a worn sleeping mat beside Bethesda pool, Jesus kneeling nearby seen from behind, unhurried compassion.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 5:5–7.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 42,
      "chapter": 5,
      "first": 8,
      "last": 9,
      "title": "일어나 자리를 들고 걸어가라",
      "kind": "narrative",
      "image": "john-042-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Previously ill man now standing and carrying his rolled sleeping mat beside Bethesda colonnade, daylight and practical healed movement.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 5:8–9.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 43,
      "chapter": 5,
      "first": 10,
      "last": 15,
      "title": "안식일에 자리를 들고 가는 사람",
      "kind": "narrative",
      "image": "john-043-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Religious leaders questioning the man carrying his rolled mat in Jerusalem, respectful but tense encounter; temple passage behind.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 5:10–15.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 44,
      "chapter": 5,
      "first": 16,
      "last": 18,
      "title": "아버지께서 일하시니 나도 일한다",
      "kind": "narrative",
      "image": "john-044-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus seen from behind addressing leaders at temple colonnade, tense audience but no attack, expansive stone architecture.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 5:16–18.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 45,
      "chapter": 5,
      "first": 19,
      "last": 23,
      "title": "아버지와 아들의 일",
      "kind": "narrative",
      "image": "john-045-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus teaching listeners within the temple, work of life and judgment conveyed by attentive people, no depiction of God as an old man.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 5:19–23.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 46,
      "chapter": 5,
      "first": 24,
      "last": 30,
      "title": "사망에서 생명으로",
      "kind": "metaphor",
      "image": "john-046-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Teaching metaphor: passage from a rock-cut tomb's shade toward an open sunlit garden, open path, no body or ghosts.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 5:24–30.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 47,
      "chapter": 5,
      "first": 31,
      "last": 38,
      "title": "예수님을 증언하는 것들",
      "kind": "narrative",
      "image": "john-047-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Foreground oil lamp beside open parchment scroll, temple teaching gathering beyond, witness and works conveyed without magic.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 5:31–38.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 48,
      "chapter": 5,
      "first": 39,
      "last": 47,
      "title": "성경이 가리키는 분",
      "kind": "narrative",
      "image": "john-048-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Hands carefully opening a Hebrew-era parchment scroll while Jesus stands beyond from rear, readable emphasis is HTML only, parchment marks indistinct.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 5:39–47.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 49,
      "chapter": 6,
      "first": 1,
      "last": 4,
      "title": "바다 건너 산으로 모인 무리",
      "kind": "narrative",
      "image": "john-049-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Vast crowd approaching a grassy Galilean hillside beside Lake Tiberias, Jesus and disciples small at top, immense cinematic depth.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:1–4.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 50,
      "chapter": 6,
      "first": 5,
      "last": 9,
      "title": "보리떡 다섯 개, 물고기 두 마리",
      "kind": "narrative",
      "image": "john-050-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Exactly five small barley loaves and two fish in a child's wicker basket, child's hands offering it to disciples, hillside setting.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:5–9.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 51,
      "chapter": 6,
      "first": 10,
      "last": 11,
      "title": "앉은 사람들에게 나누어 주시다",
      "kind": "narrative",
      "image": "john-051-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Men and women seated in groups on green hillside, hands distributing bread and fish, Jesus back view blessing bread, no hovering food.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:10–11.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 52,
      "chapter": 6,
      "first": 12,
      "last": 13,
      "title": "남은 조각, 열두 바구니",
      "kind": "narrative",
      "image": "john-052.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 6:12–13.\nScene: Exactly twelve wicker baskets containing remaining bread pieces on grass beside lake, close foreground and satisfied crowd beyond.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 53,
      "chapter": 6,
      "first": 14,
      "last": 15,
      "title": "왕으로 삼으려는 무리를 떠나다",
      "kind": "narrative",
      "image": "john-053-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus rear view walking alone up an unpopulated hillside, crowd far below, no crown.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:14–15.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 54,
      "chapter": 6,
      "first": 16,
      "last": 18,
      "title": "밤바다의 바람과 파도",
      "kind": "narrative",
      "image": "john-054-right-v3-feedback-20261019-v2.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: First-century wooden fishing boat on choppy Lake Galilee at night, disciples rowing, moonlit water and practical visibility.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:16–18.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 55,
      "chapter": 6,
      "first": 19,
      "last": 21,
      "title": "내니 두려워 말라",
      "kind": "narrative",
      "image": "john-055-right-v3-feedback-20261019-v2.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus standing walking on lake surface near disciples' boat at blue night, feet contact rippled water, rear three-quarter view, no flying or halo.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:19–21.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 56,
      "chapter": 6,
      "first": 22,
      "last": 25,
      "title": "예수님을 찾아 가버나움으로",
      "kind": "narrative",
      "image": "john-056-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: People boarding simple wooden boats in morning beside lake, distant Capernaum stone village, searching after the bread sign.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:22–25.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 57,
      "chapter": 6,
      "first": 26,
      "last": 29,
      "title": "썩는 양식과 영생의 양식",
      "kind": "narrative",
      "image": "john-057-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus back view speaking to bread-seeking crowd by Capernaum synagogue, small loaf foreground, attentive and questioning people.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:26–29.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 58,
      "chapter": 6,
      "first": 30,
      "last": 34,
      "title": "광야의 만나와 참된 떡",
      "kind": "metaphor",
      "image": "john-058-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Teaching comparison: ancient wilderness camp with pale manna scattered on ground and adults gathering it, natural scale; not a scene in Capernaum itself.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:30–34.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 59,
      "chapter": 6,
      "first": 35,
      "last": 40,
      "title": "내가 곧 생명의 떡",
      "kind": "metaphor",
      "image": "john-059-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Visual metaphor: hands offering a fresh barley loaf across a simple stone table, Jesus's plain sleeve, abundant morning light.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:35–40.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 60,
      "chapter": 6,
      "first": 41,
      "last": 46,
      "title": "어디서 오셨는가 묻는 사람들",
      "kind": "narrative",
      "image": "john-060-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Capernaum synagogue courtyard, small groups of men and women murmuring while Jesus teaches in background, no caricature.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:41–46.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 61,
      "chapter": 6,
      "first": 47,
      "last": 51,
      "title": "세상의 생명을 위한 산 떡",
      "kind": "metaphor",
      "image": "john-061-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Visual metaphor: one round loaf broken and shared among several hands, strong natural material close-up, no flesh or blood imagery.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:47–51.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 62,
      "chapter": 6,
      "first": 52,
      "last": 59,
      "title": "내 안에 거하는 생명",
      "kind": "narrative",
      "image": "john-062-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus back view teaching inside Capernaum synagogue, people listening and debating, intimate linen and limestone; no literal eating of flesh.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:52–59.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 63,
      "chapter": 6,
      "first": 60,
      "last": 65,
      "title": "이 말씀은 어렵도다",
      "kind": "narrative",
      "image": "john-063-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Several disciples exchanging uncertain glances outside synagogue, one attentive listener stays by Jesus, restrained truthful emotion.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:60–65.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 64,
      "chapter": 6,
      "first": 66,
      "last": 71,
      "title": "우리가 누구에게로 가겠습니까",
      "kind": "narrative",
      "image": "john-064-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Many followers walking away on a road, twelve disciples staying with Jesus, Peter beside him, Jesus back view and wide separation.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 6:66–71.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 65,
      "chapter": 7,
      "first": 1,
      "last": 9,
      "title": "아직 이르지 않은 때",
      "kind": "narrative",
      "image": "john-065-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus in simple Galilean home speaking with his brothers before festival, mother not invented, quiet waiting and open doorway.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 7:1–9.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 66,
      "chapter": 7,
      "first": 10,
      "last": 13,
      "title": "조용히 올라가신 초막절",
      "kind": "narrative",
      "image": "john-066-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jerusalem streets with temporary leafy booths and pilgrims, Jesus rear view among arriving travelers, low-key unannounced movement.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 7:10–13.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 67,
      "chapter": 7,
      "first": 14,
      "last": 18,
      "title": "보내신 분에게서 온 가르침",
      "kind": "narrative",
      "image": "john-067-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Jesus rear view teaching in Second Temple courtyard during festival, many attentive adults, monumental limestone.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 7:14–18.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 68,
      "chapter": 7,
      "first": 19,
      "last": 24,
      "title": "겉모습보다 공의로운 판단",
      "kind": "narrative",
      "image": "john-068-right-v3-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 7:19–24: 모세가 너희에게 율법을 주지 아니하였느냐 너희 중에 율법을 지키는 자가 없도다 너희가 어찌하여 나를 죽이려 하느냐 무리가 대답하되 당신은 귀신이 들렸도다 누가 당신을 죽이려 하나이까 예수께서 대답하여 이르시되 내가 한 가지 일을 행하매 너희가 다 이로 말미암아 이상히 여기는도다 모세가 너희에게 할례를 행했으니 (그러나 할례는 모세에게서 난 것이 아니요 조상들에게서 난 것이라) 그러므로 너희가 안식일에도 사람에게 할례를 행하느니라 모세의 율법을 범하지 아니하려고 사람이 안식일에도 할례를 받는 일이 있거든 내가 안식일에 사람의 전신을 건전하게 한 것으로 너희가 내게 노여워하느냐 외모로 판단하지 말고 공의롭게 판단하라 하시니라 Required correction: 앞서그리스신전제거후생긴금문날개사자부수장식2=>무문양금판문. 본문그룹의무기물아니라모호부수장식단순화. 치성고대가능보존. 예수뒤모습/율법학자손/왼쪽교정배경유지. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. Never depict God as a human body or face; no invented heavenly figures unless explicitly required by the passage. For all carried arks completely conceal chest AND cherubim under one plain deep blue cloth. For fixed inner sanctuary scenes retain the actual prescribed cherubim. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 69,
      "chapter": 7,
      "first": 25,
      "last": 31,
      "title": "이분이 그리스도인가",
      "kind": "narrative",
      "image": "john-069-right-v3-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 7:25–31: 예루살렘 사람 중에서 어떤 사람이 말하되 이는 그들이 죽이고자 하는 그 사람이 아니냐 보라 드러나게 말하되 그들이 아무 말도 아니하는도다 당국자들은 이 사람을 참으로 그리스도인 줄 알았는가 그러나 우리는 이 사람이 어디서 왔는지 아노라 그리스도께서 오실 때에는 어디서 오시는지 아는 자가 없으리라 하는지라 예수께서 성전에서 가르치시며 외쳐 이르시되 너희가 나를 알고 내가 어디서 온 것도 알거니와 내가 스스로 온 것이 아니니라 나를 보내신 이는 참되시니 너희는 그를 알지 못하나 나는 아노니 이는 내가 그에게서 났고 그가 나를 보내셨음이라 하시니 그들이 예수를 잡고자 하나 손을 대는 자가 없으니 이는 그의 때가 아직 이르지 아니하였음이러라 무리 중의 많은 사람이 예수를 믿고 말하되 그리스도께서 오실지라도 그 행하실 표적이 이 사람이 행한 것보다 더 많으랴 하니 Required correction: Small freestanding peripteral temple on left hill reads Athens; replace only with ordinary Jerusalem stone roofs and olive ridge, preserve teaching crowd/back-only Jesus and foreground columns. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 70,
      "chapter": 7,
      "first": 32,
      "last": 36,
      "title": "나를 보내신 분께 돌아간다",
      "kind": "narrative",
      "image": "john-070-right-v3.jpg",
      "prompt": "PRIMARY SCENE DIRECTIVE: Temple officers standing at a distance from Jesus teaching, blocked path and thoughtful hesitation, no actual arrest.\nThis exact scene and its important objects must be the focus; do not substitute a generic teacher or crowd. Scripture context: John 7:32–36.\nUse case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nLayout enforcement: principal subject group fully within x=55–88%, left 42% is quiet scenery with NO storytelling subjects. Wider framing, no main figure at the far edge. Make physically correct hands, feet and object interactions. Maintain the bright natural cinematic Mediterranean film tone; nighttime scenes remain night. One 16:9 landscape frame, no text.",
      "generationStatus": "redrawn-and-reviewed"
    },
    {
      "id": 71,
      "chapter": 7,
      "first": 37,
      "last": 39,
      "title": "생수의 강이 흘러나리라",
      "kind": "metaphor",
      "image": "john-071.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 7:37–39.\nScene: Teaching metaphor: abundant clear water flowing through dry limestone terrain, lush bank against arid surroundings, no human body fountain.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 72,
      "chapter": 7,
      "first": 40,
      "last": 44,
      "title": "갈라진 사람들의 반응",
      "kind": "narrative",
      "image": "john-072.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 7:40–44.\nScene: Festival crowd divided in discussion around temple steps, multiple groups and directions, Jesus distant rear view.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 73,
      "chapter": 7,
      "first": 45,
      "last": 49,
      "title": "그분처럼 말한 사람은 없었다",
      "kind": "narrative",
      "image": "john-073.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 7:45–49.\nScene: Temple officers returning empty-handed to officials, thoughtful faces and quiet testimony, no ropes or prisoner.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 74,
      "chapter": 7,
      "first": 50,
      "last": 53,
      "title": "먼저 듣고 판단하라",
      "kind": "narrative",
      "image": "john-074.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 7:50–53.\nScene: Nicodemus older scholar raising an open hand during council discussion, scrolls and stone benches, others listening uneasily.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 75,
      "chapter": 8,
      "first": 1,
      "last": 6,
      "title": "성전 가운데 세워진 여자",
      "kind": "narrative",
      "image": "john-075.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 8:1–6.\nScene: At morning temple court, fully clothed woman in plain modest robe standing with accusers at a respectful distance, Jesus crouching seen from rear, no sexualization.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 76,
      "chapter": 8,
      "first": 7,
      "last": 9,
      "title": "죄 없는 자가 먼저 돌로 치라",
      "kind": "narrative",
      "image": "john-076-feedback-20261101-v1.jpg",
      "prompt": "Use case: historical-scene. Create a peaceful photorealistic 16:9 biblical Jerusalem temple courtyard, John8:8–9. Two central adults remain nearby: Jesus in white and cream robes STRICTLY FROM BEHIND, face completely hidden, crouches writing gently in dust with one natural finger; a modest fully clothed adult woman in green head covering sits a little to his side watching quietly. Several older adults in ordinary linen robes quietly walk away in far background. Calm reflective morning, supported stone columns and sunlit paving. Exactly one Jesus, coherent crouched legs and connected wrist/hand, woman's two natural hands at lap. NO aggression, weapons, injury, threats or confrontation, no modern props/text/watermark. Preserve passage meaning of staying beside woman without illustrating any violence.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 77,
      "chapter": 8,
      "first": 10,
      "last": 11,
      "title": "나도 너를 정죄하지 않는다",
      "kind": "narrative",
      "image": "john-077.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 8:10–11.\nScene: Fully clothed woman standing alone before Jesus in now-empty temple court, relief and dignity, Jesus seen from rear.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 78,
      "chapter": 8,
      "first": 12,
      "last": 20,
      "title": "나는 세상의 빛",
      "kind": "narrative",
      "image": "john-078.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 8:12–20.\nScene: Jesus rear view teaching near temple treasury, broad light entering colonnade, listening leaders, no halo.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 79,
      "chapter": 8,
      "first": 21,
      "last": 30,
      "title": "인자를 든 후에 알게 될 것",
      "kind": "narrative",
      "image": "john-079.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 8:21–30.\nScene: Temple dialogue with Jesus and questioning crowd, stone columns opening to sky, foreshadowing through perspective only, no cross yet.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 80,
      "chapter": 8,
      "first": 31,
      "last": 36,
      "title": "진리가 너희를 자유롭게 하리라",
      "kind": "metaphor",
      "image": "john-080.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 8:31–36.\nScene: Teaching metaphor: open wooden gate and unfastened cord on limestone threshold leading to daylight, no modern metal prison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 81,
      "chapter": 8,
      "first": 37,
      "last": 41,
      "title": "아브라함의 자손이라는 주장",
      "kind": "narrative",
      "image": "john-081.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 8:37–41.\nScene: Leaders with scrolls arguing ancestry in temple courtyard, Jesus from rear listening, no genealogical diagram or invented Abraham meeting.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 82,
      "chapter": 8,
      "first": 42,
      "last": 47,
      "title": "하나님께 속한 사람은 말씀을 듣는다",
      "kind": "narrative",
      "image": "john-082-feedback-20261101-v2.jpg",
      "prompt": "Edit only tiny distant slender round tower at top hill left-center: replace with low flat-roof limestone house, no domes/spires. Preserve dry Jerusalem background, all people, Jesus strictly back-view, every hand, temple columns, olive tree and light. No text/logo.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 83,
      "chapter": 8,
      "first": 48,
      "last": 55,
      "title": "내 말을 지키는 사람의 생명",
      "kind": "narrative",
      "image": "john-083-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 8:48–55: 유대인들이 대답하여 이르되 우리가 너를 사마리아 사람이라 또는 귀신이 들렸다 하는 말이 옳지 아니하냐 예수께서 대답하시되 나는 귀신 들린 것이 아니라 오직 내 아버지를 공경함이거늘 너희가 나를 무시하는도다 나는 내 영광을 구하지 아니하나 구하고 판단하시는 이가 계시니라 진실로 진실로 너희에게 이르노니 사람이 내 말을 지키면 영원히 죽음을 보지 아니하리라 유대인들이 이르되 지금 네가 귀신 들린 줄을 아노라 아브라함과 선지자들도 죽었거늘 네 말은 사람이 내 말을 지키면 영원히 죽음을 맛보지 아니하리라 하니 너는 이미 죽은 우리 조상 아브라함보다 크냐 또 선지자들도 죽었거늘 너는 너를 누구라 하느냐 예수께서 대답하시되 내가 내게 영광을 돌리면 내 영광이 아무 것도 아니거니와 내게 영광을 돌리시는 이는 내 아버지시니 곧 너희가 너희 하나님이라 칭하는 그이시라 너희는 그를 알지 못하되 나는 아노니 만일 내가 알지 못한다 하면 나도 너희 같이 거짓말쟁이가 되리라 나는 그를 알고 또 그의 말씀을 지키노라 Required correction: Remove distant hilltop Greek peripteral Parthenon-like temple at upper-right above cypresses, fill low ancient Jerusalem houses/olive hillside. Preserve foreground Jerusalem temple courtyard columns, Jesus STRICT BACK-VIEW, elder scroll and natural arguing hands, crowd/light. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. Never depict God as a human body or face; no invented heavenly figures unless explicitly required by the passage. For all carried arks completely conceal chest AND cherubim under one plain deep blue cloth. For fixed inner sanctuary scenes retain the actual prescribed cherubim. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 84,
      "chapter": 8,
      "first": 56,
      "last": 59,
      "title": "아브라함이 나기 전부터",
      "kind": "narrative",
      "image": "john-084.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 8:56–59.\nScene: Jesus leaving temple through a stone arch while opponents hold stones at distance, no strike, no literal Abraham beside him.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 85,
      "chapter": 9,
      "first": 1,
      "last": 5,
      "title": "날 때부터 보지 못한 사람",
      "kind": "narrative",
      "image": "john-085-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 9:1–5.\nScene: A man blind from birth seated beside Jerusalem street, disciples listening to Jesus nearby, dignity and human scale, face relaxed not distorted.",
      "generationStatus": "existing-image; revised-prompt-ready",
      "editPrompt": "Edit the existing first input image. Keep the 16:9 cinematic natural-light photographic style, exposure, first-century limestone and linen materials, and all unaffected composition. No letters, text, logo, watermark, halo or magical glow. The SECOND input is a CHARACTER IDENTITY reference only: the middle-aged man washing his eyes in Siloam. In the FIRST input, change only the seated blind man at the LEFT to be the same adult man as this reference, with consistent age around forty, dark curly hair, short slightly salt-and-pepper beard, skin tone, brows and facial proportions. Preserve his original body position, clothing, gesture and scene-appropriate expression. His eyes should remain gently relaxed or closed, indicating the before-healing scene with dignity; no white cloudy eyes or disfigurement. Preserve every other person’s face, Jesus seen from behind when present, architecture, props, lighting and camera framing. Do not copy the reference washing pose or pool.",
      "referenced_image_paths": [
        "assets/john-085.jpg",
        "assets/john-086.jpg"
      ]
    },
    {
      "id": 86,
      "chapter": 9,
      "first": 6,
      "last": 7,
      "title": "실로암에서 씻고 보게 되다",
      "kind": "narrative",
      "image": "john-086.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 9:6–7.\nScene: Man washing clay from his eyes in Siloam pool, cupped hands and clear water, hopeful original male face, no medical gore.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 87,
      "chapter": 9,
      "first": 8,
      "last": 12,
      "title": "내가 바로 그 사람입니다",
      "kind": "narrative",
      "image": "john-087-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 9:8–12.\nScene: Neighbors recognizing the now-seeing man in a Jerusalem lane, men and women surprised, man explaining with open hands.",
      "generationStatus": "existing-image; revised-prompt-ready",
      "editPrompt": "Edit the existing first input image. Keep the 16:9 cinematic natural-light photographic style, exposure, first-century limestone and linen materials, and all unaffected composition. No letters, text, logo, watermark, halo or magical glow. The SECOND input is a CHARACTER IDENTITY reference only: the middle-aged man washing his eyes in Siloam. In the FIRST input, change only the central healed man explaining to his neighbors to be the same adult man as this reference, with consistent age around forty, dark curly hair, short slightly salt-and-pepper beard, skin tone, brows and facial proportions. Preserve his original body position, clothing, gesture and scene-appropriate expression. His eyes are healed and naturally open. Preserve every other person’s face, Jesus seen from behind when present, architecture, props, lighting and camera framing. Do not copy the reference washing pose or pool.",
      "referenced_image_paths": [
        "assets/john-087.jpg",
        "assets/john-086.jpg"
      ]
    },
    {
      "id": 88,
      "chapter": 9,
      "first": 13,
      "last": 17,
      "title": "안식일의 표적을 묻는 사람들",
      "kind": "narrative",
      "image": "john-088.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 9:13–17.\nScene: Healed man answering religious leaders within stone chamber, attentive faces and scrolls, balanced respectful composition.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 89,
      "chapter": 9,
      "first": 18,
      "last": 23,
      "title": "두려움 속에서 대답하는 부모",
      "kind": "narrative",
      "image": "john-089.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 9:18–23.\nScene: Father and mother standing together before questioning leaders, concern and dignity, adult healed son nearby, no caricature.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 90,
      "chapter": 9,
      "first": 24,
      "last": 34,
      "title": "전에는 못 보았지만 지금은 봅니다",
      "kind": "narrative",
      "image": "john-090-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 9:24–34.\nScene: Healed man standing firmly at a synagogue doorway as others send him out, natural daylight falling across his face, no physical abuse.",
      "generationStatus": "existing-image; revised-prompt-ready",
      "editPrompt": "Edit the existing first input image. Keep the 16:9 cinematic natural-light photographic style, exposure, first-century limestone and linen materials, and all unaffected composition. No letters, text, logo, watermark, halo or magical glow. The SECOND input is a CHARACTER IDENTITY reference only: the middle-aged man washing his eyes in Siloam. In the FIRST input, change only the central healed man standing at the synagogue doorway to be the same adult man as this reference, with consistent age around forty, dark curly hair, short slightly salt-and-pepper beard, skin tone, brows and facial proportions. Preserve his original body position, clothing, gesture and scene-appropriate expression. His eyes are healed and naturally open. Preserve every other person’s face, Jesus seen from behind when present, architecture, props, lighting and camera framing. Do not copy the reference washing pose or pool.",
      "referenced_image_paths": [
        "assets/john-090.jpg",
        "assets/john-086.jpg"
      ]
    },
    {
      "id": 91,
      "chapter": 9,
      "first": 35,
      "last": 38,
      "title": "주여, 내가 믿습니다",
      "kind": "narrative",
      "image": "john-091.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 9:35–38.\nScene: Jesus back view meeting the expelled man outside stone city passage, man bowing in grateful trust.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 92,
      "chapter": 9,
      "first": 39,
      "last": 41,
      "title": "본다고 말하는 사람들의 어두움",
      "kind": "narrative",
      "image": "john-092.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 9:39–41.\nScene: Temple discussion with leaders in shaded portico and healed man in sunlight beyond, visual contrast not literal blinded eyes.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 93,
      "chapter": 10,
      "first": 1,
      "last": 6,
      "title": "목자의 음성을 아는 양들",
      "kind": "metaphor",
      "image": "john-093.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 10:1–6.\nScene: Parable illustration: shepherd seen from behind calling sheep through a stone sheepfold gate, grazing hills beyond, no Jesus face.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 94,
      "chapter": 10,
      "first": 7,
      "last": 10,
      "title": "나는 양의 문",
      "kind": "metaphor",
      "image": "john-094.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 10:7–10.\nScene: Parable illustration: open stone sheepfold gateway with sheep entering rich pasture, safe enclosure and wide sky.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 95,
      "chapter": 10,
      "first": 11,
      "last": 13,
      "title": "양을 버리지 않는 선한 목자",
      "kind": "metaphor",
      "image": "john-095.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 10:11–13.\nScene: Parable illustration: shepherd standing protectively between flock and a distant wolf, no attack or blood, courageous back view.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 96,
      "chapter": 10,
      "first": 14,
      "last": 18,
      "title": "한 무리, 한 목자",
      "kind": "metaphor",
      "image": "john-096.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 10:14–18.\nScene: Parable illustration: flocks joining from two paths around one shepherd, olive pasture and vast hills, no modern shepherd tools.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 97,
      "chapter": 10,
      "first": 19,
      "last": 21,
      "title": "말씀 앞에서 다시 나뉜 사람들",
      "kind": "narrative",
      "image": "john-097.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 10:19–21.\nScene: Jerusalem men and women discussing Jesus's shepherd teaching, temple edge and thoughtful groups, no demon caricatures.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 98,
      "chapter": 10,
      "first": 22,
      "last": 26,
      "title": "겨울, 솔로몬 행각에서",
      "kind": "narrative",
      "image": "john-098.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 10:22–26.\nScene: Jesus rear view walking under Solomon's portico at winter dedication festival, cool daylight and plain cloaks, no Christmas decor.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 99,
      "chapter": 10,
      "first": 27,
      "last": 30,
      "title": "내 손에서 빼앗을 사람이 없다",
      "kind": "metaphor",
      "image": "john-099.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 10:27–30.\nScene: Teaching metaphor: protective shepherd hands gently sheltering a lamb, bright pasture, no literal human hand representing God.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 100,
      "chapter": 10,
      "first": 31,
      "last": 39,
      "title": "행하시는 일을 보고 믿으라",
      "kind": "narrative",
      "image": "john-100.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 10:31–39.\nScene: Jesus leaving a tense temple crowd, opponents holding small stones but no attack, dignified escape through limestone passage.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 101,
      "chapter": 10,
      "first": 40,
      "last": 42,
      "title": "요단강 저편에서 믿게 된 사람들",
      "kind": "narrative",
      "image": "john-101.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 10:40–42.\nScene: People gathering around Jesus by Jordan river in calm daylight, broad water and vegetation, sense of return to the beginning.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 102,
      "chapter": 11,
      "first": 1,
      "last": 6,
      "title": "사랑하는 사람이 병들었습니다",
      "kind": "narrative",
      "image": "john-102.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 11:1–6.\nScene: Martha and Mary caring for Lazarus in a Bethany home, messenger at doorway, compassionate original female faces, sick man modestly covered.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 103,
      "chapter": 11,
      "first": 7,
      "last": 16,
      "title": "위험을 지나 친구에게로",
      "kind": "narrative",
      "image": "john-103.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 11:7–16.\nScene: Jesus and disciples walking toward Judea along rugged hillside path, hesitant disciples and determined teacher rear view.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 104,
      "chapter": 11,
      "first": 17,
      "last": 24,
      "title": "무덤에 있은 지 나흘",
      "kind": "narrative",
      "image": "john-104-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 11:17–24: 예수께서 와서 보시니 나사로가 무덤에 있은 지 이미 나흘이라 베다니는 예루살렘에서 가깝기가 한 오 리쯤 되매 많은 유대인이 마르다와 마리아에게 그 오라비의 일로 위문하러 왔더니 마르다는 예수께서 오신다는 말을 듣고 곧 나가 맞이하되 마리아는 집에 앉았더라 마르다가 예수께 여짜오되 주께서 여기 계셨더라면 내 오라버니가 죽지 아니하였겠나이다 그러나 나는 이제라도 주께서 무엇이든지 하나님께 구하시는 것을 하나님이 주실 줄을 아나이다 예수께서 이르시되 네 오라비가 다시 살아나리라 마르다가 이르되 마지막 날 부활 때에는 다시 살아날 줄을 내가 아나이다 Required correction: John11:17–24 Lazarus tomb still SEALED until11:39. Move right background round stone completely over tomb opening, no black entrance gap. Preserve Martha pleading hands/face, Jesus strict back-view, mourners/Bethany/light. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. Never depict God as a human body or face; no invented heavenly figures unless explicitly required by the passage. For all carried arks completely conceal chest AND cherubim under one plain deep blue cloth. For fixed inner sanctuary scenes retain the actual prescribed cherubim. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 105,
      "chapter": 11,
      "first": 25,
      "last": 27,
      "title": "나는 부활이요 생명",
      "kind": "narrative",
      "image": "john-105.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 11:25–27.\nScene: Martha looking at Jesus with resolute faith, olive branches and open sky beyond, Jesus shoulder foreground, original woman.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 106,
      "chapter": 11,
      "first": 28,
      "last": 32,
      "title": "선생님이 너를 부르신다",
      "kind": "narrative",
      "image": "john-106.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 11:28–32.\nScene: Mary rising from a mourning room and approaching Jesus outside village, modest dark earth-tone mantle, others following at distance.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 107,
      "chapter": 11,
      "first": 33,
      "last": 37,
      "title": "예수께서 눈물을 흘리시다",
      "kind": "narrative",
      "image": "john-107.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 11:33–37.\nScene: Close compassionate human gesture: Jesus's lowered hand beside grieving Mary's hands, his face out of frame, mourning companions blurred, no melodrama.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 108,
      "chapter": 11,
      "first": 38,
      "last": 40,
      "title": "돌을 옮겨 놓으라",
      "kind": "narrative",
      "image": "john-108-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 11:38–40: 이에 예수께서 다시 속으로 비통히 여기시며 무덤에 가시니 무덤이 굴이라 돌로 막았거늘 예수께서 이르시되 돌을 옮겨 놓으라 하시니 그 죽은 자의 누이 마르다가 이르되 주여 죽은 지가 나흘이 되었으매 벌써 냄새가 나나이다 예수께서 이르시되 내 말이 네가 믿으면 하나님의 영광을 보리라 하지 아니하였느냐 하시니 Required correction: 예수뒷모습/마르다/돌미는사람 보존. 별도왼쪽 네모무덤입구는 암벽으로 메우고 둥근돌 뒤 단하나 입구가 막 드러나도록 연결. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 109,
      "chapter": 11,
      "first": 41,
      "last": 44,
      "title": "나사로야, 나오라",
      "kind": "narrative",
      "image": "john-109.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 11:41–44.\nScene: Alive Lazarus emerging upright from open rock-cut tomb wrapped in linen, family gently unbinding hands, no corpse decay or horror.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 110,
      "chapter": 11,
      "first": 45,
      "last": 53,
      "title": "표적 뒤에 시작된 모의",
      "kind": "narrative",
      "image": "john-110-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 11:45–53: 마리아에게 와서 예수께서 하신 일을 본 많은 유대인이 그를 믿었으나 그 중에 어떤 자는 바리새인들에게 가서 예수께서 하신 일을 알리니라 이에 대제사장들과 바리새인들이 공회를 모으고 이르되 이 사람이 많은 표적을 행하니 우리가 어떻게 하겠느냐 만일 그를 이대로 두면 모든 사람이 그를 믿을 것이요 그리고 로마인들이 와서 우리 땅과 민족을 빼앗아 가리라 하니 그 중의 한 사람 그 해의 대제사장인 가야바가 그들에게 말하되 너희가 아무 것도 알지 못하는도다 한 사람이 백성을 위하여 죽어서 온 민족이 망하지 않게 되는 것이 너희에게 유익한 줄을 생각하지 아니하는도다 하였으니 이 말은 스스로 함이 아니요 그 해의 대제사장이므로 예수께서 그 민족을 위하시고 또 그 민족만 위할 뿐 아니라 흩어진 하나님의 자녀를 모아 하나가 되게 하기 위하여 죽으실 것을 미리 말함이러라 이 날부터는 그들이 예수를 죽이려고 모의하니라 Required correction: 예루살렘 언덕 우상단 독립그리스주랑신전만 낮은평지붕석조가옥/사이프러스 능선으로. 공회인물/손/두루마리/7등메노라/탁자 유지. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 111,
      "chapter": 11,
      "first": 54,
      "last": 57,
      "title": "에브라임에 머무시다",
      "kind": "narrative",
      "image": "john-111.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 11:54–57.\nScene: Jesus and disciples lodging near quiet wilderness village of Ephraim, Passover pilgrims on distant Jerusalem road, rear views.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 112,
      "chapter": 12,
      "first": 1,
      "last": 3,
      "title": "집 안에 가득한 향유",
      "kind": "narrative",
      "image": "john-112.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 12:1–3.\nScene: Mary's hands pouring nard from alabaster vessel onto Jesus's feet, her long dark hair partly visible, Bethany supper background, respectful close-up.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 113,
      "chapter": 12,
      "first": 4,
      "last": 8,
      "title": "향유를 둘러싼 질문",
      "kind": "narrative",
      "image": "john-113.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 12:4–8.\nScene: Judas seated beside small money bag gesturing about perfume, Mary and Jesus at Bethany meal, no modern coins or demon.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 114,
      "chapter": 12,
      "first": 9,
      "last": 11,
      "title": "나사로를 보러 온 사람들",
      "kind": "narrative",
      "image": "john-114.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 12:9–11.\nScene: Visitors greeting living Lazarus beside Bethany home, ordinary men and women, grateful curiosity.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 115,
      "chapter": 12,
      "first": 12,
      "last": 16,
      "title": "나귀를 타고 오시는 왕",
      "kind": "narrative",
      "image": "john-115.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 12:12–16.\nScene: Jesus rear view riding a young donkey into Jerusalem, adults holding palm branches, no horse or crown, bright spring daylight.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 116,
      "chapter": 12,
      "first": 17,
      "last": 19,
      "title": "온 세상이 그분을 따른다",
      "kind": "narrative",
      "image": "john-116.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 12:17–19.\nScene: Large palm-bearing crowd outside Jerusalem city gate, varied faces and heights, cinematic aerial-like wide composition.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 117,
      "chapter": 12,
      "first": 20,
      "last": 22,
      "title": "예수님을 뵙고 싶습니다",
      "kind": "narrative",
      "image": "john-117.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 12:20–22.\nScene: Greek festival visitors in simple Hellenistic cloaks speaking with Philip and Andrew near temple, respectful first-century variety.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 118,
      "chapter": 12,
      "first": 23,
      "last": 26,
      "title": "한 알의 밀이 많은 열매로",
      "kind": "metaphor",
      "image": "john-118.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 12:23–26.\nScene: Teaching metaphor: wheat seed fallen into soil foreground with mature wheat behind, realistic agrarian macro and shallow depth, no impossible mixed scale.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 119,
      "chapter": 12,
      "first": 27,
      "last": 33,
      "title": "들리면 모든 사람을 이끌리라",
      "kind": "narrative",
      "image": "john-119-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 12:27–33: 지금 내 마음이 괴로우니 무슨 말을 하리요 아버지여 나를 구원하여 이 때를 면하게 하여 주옵소서 그러나 내가 이를 위하여 이 때에 왔나이다 아버지여, 아버지의 이름을 영광스럽게 하옵소서 하시니 이에 하늘에서 소리가 나서 이르되 내가 이미 영광스럽게 하였고 또다시 영광스럽게 하리라 하시니 곁에 서서 들은 무리는 천둥이 울었다고도 하며 또 어떤 이들은 천사가 그에게 말하였다고도 하니 예수께서 대답하여 이르시되 이 소리가 난 것은 나를 위한 것이 아니요 너희를 위한 것이니라 이제 이 세상에 대한 심판이 이르렀으니 이 세상의 임금이 쫓겨나리라 내가 땅에서 들리면 모든 사람을 내게로 이끌겠노라 하시니 이렇게 말씀하심은 자기가 어떠한 죽음으로 죽을 것을 보이심이러라 Required correction: 오른중경갈릴리호수해안선전체=>예루살렘낮은석회암평지붕가옥/성전경내일부/감람산건조유대언덕. 예수뒤모습/양편손/무리하늘바라봄/구름햇살보존,하나님인체금지. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. Never depict God as a human body or face; no invented heavenly figures unless explicitly required by the passage. For all carried arks completely conceal chest AND cherubim under one plain deep blue cloth. For fixed inner sanctuary scenes retain the actual prescribed cherubim. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 120,
      "chapter": 12,
      "first": 34,
      "last": 36,
      "title": "빛이 있는 동안에 걸어가라",
      "kind": "metaphor",
      "image": "john-120.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 12:34–36.\nScene: Teaching metaphor: travelers moving along illuminated stone lane before dusk, clear path contrasted with shadow, no halo.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 121,
      "chapter": 12,
      "first": 37,
      "last": 43,
      "title": "사람의 영광과 하나님의 영광",
      "kind": "narrative",
      "image": "john-121.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 12:37–43.\nScene: Leaders standing privately in temple shadow while public crowd passes, conflicted restrained faces, no modern status symbols.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 122,
      "chapter": 12,
      "first": 44,
      "last": 50,
      "title": "심판보다 구원을 위해 오신 빛",
      "kind": "narrative",
      "image": "john-122.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 12:44–50.\nScene: Jesus rear view addressing mixed listeners in open courtyard filled with daylight, welcome and attentive humanity.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 123,
      "chapter": 13,
      "first": 1,
      "last": 5,
      "title": "끝까지 사랑하신 분",
      "kind": "narrative",
      "image": "john-123.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 13:1–5.\nScene: Jesus kneeling with a linen towel at low supper table to wash disciples' feet, face outside frame, oil-lamp-lit stone upper room, no Eucharist ritual invented.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 124,
      "chapter": 13,
      "first": 6,
      "last": 11,
      "title": "내 발도 씻기시겠습니까",
      "kind": "narrative",
      "image": "john-124.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 13:6–11.\nScene: Peter hesitating while Jesus's hands wash his feet in a plain basin, first-century upper room, compassionate tactile detail.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 125,
      "chapter": 13,
      "first": 12,
      "last": 17,
      "title": "너희도 서로 씻겨 주라",
      "kind": "narrative",
      "image": "john-125-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 13:12–17: 그들의 발을 씻으신 후에 옷을 입으시고 다시 앉아 그들에게 이르시되 내가 너희에게 행한 것을 너희가 아느냐 너희가 나를 선생이라 또는 주라 하니 너희 말이 옳도다 내가 그러하다 내가 주와 또는 선생이 되어 너희 발을 씻었으니 너희도 서로 발을 씻어 주는 것이 옳으니라 내가 너희에게 행한 것 같이 너희도 행하게 하려 하여 본을 보였노라 내가 진실로 진실로 너희에게 이르노니 종이 주인보다 크지 못하고 보냄을 받은 자가 보낸 자보다 크지 못하나니 너희가 이것을 알고 행하면 복이 있으리라 Required correction: Upper-left shelf glass chimney lamp reads later kerosene lamp; replace only with small open clay oil lamp, preserve night, back-only Jesus, basin and apostles. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 126,
      "chapter": 13,
      "first": 18,
      "last": 20,
      "title": "보낸 사람을 영접하는 것",
      "kind": "narrative",
      "image": "john-126.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 13:18–20.\nScene: Jesus speaking to disciples around low table in upper room, open doorway beyond, intimate commissioned welcome.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 127,
      "chapter": 13,
      "first": 21,
      "last": 26,
      "title": "너희 중 하나가 나를 팔리라",
      "kind": "narrative",
      "image": "john-127.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 13:21–26.\nScene: Jesus's hand offering dipped piece of bread to Judas over supper table, tense disciples in background, focus hands not Jesus face.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 128,
      "chapter": 13,
      "first": 27,
      "last": 30,
      "title": "유다가 나간 밤",
      "kind": "narrative",
      "image": "john-128.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 13:27–30.\nScene: Judas rear view exiting illuminated upper-room doorway into blue night, money bag discreet at belt, no demon or monstrous face.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 129,
      "chapter": 13,
      "first": 31,
      "last": 35,
      "title": "새 계명, 서로 사랑하라",
      "kind": "narrative",
      "image": "john-129-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 13:31–35.\nScene: Disciples at low supper table with Jesus's plain-sleeved hands open toward them, human friendship and warmth, no written words.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 130,
      "chapter": 13,
      "first": 36,
      "last": 38,
      "title": "닭이 울기 전에",
      "kind": "narrative",
      "image": "john-130.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 13:36–38.\nScene: Peter speaking earnestly with Jesus at supper table, Jesus rear shoulder visible, quiet impending vulnerability, no rooster yet as actual event.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 131,
      "chapter": 14,
      "first": 1,
      "last": 4,
      "title": "너희를 위한 처소",
      "kind": "metaphor",
      "image": "john-131-feedback-20261101-v1.jpg",
      "prompt": "Use case: historical-scene. Vible Bible art, one photorealistic 16:9 landscape. Create a fresh coherent composition without the faulty full-scene reference. Passage 요한복음 14:1–4: 너희는 마음에 근심하지 말라 하나님을 믿으니 또 나를 믿으라 내 아버지 집에 거할 곳이 많도다 그렇지 않으면 너희에게 일렀으리라 내가 너희를 위하여 거처를 예비하러 가노니 가서 너희를 위하여 거처를 예비하면 내가 다시 와서 너희를 내게로 영접하여 나 있는 곳에 너희도 있게 하리라 내가 어디로 가는지 그 길을 너희가 아느니라 Required correction: 요14:1-4 비유집모습을 인물없이밤의유대석조집 여러열린방/소박한침상/점토등잔으로 새생성. 야외예수강론삭제(13:30밤/14:31떠나기전). 아버지집 영접/소망 의미는고요하고따뜻한밤집으로, 하나님신체/현대기물/침상쿠션액자금지. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 132,
      "chapter": 14,
      "first": 5,
      "last": 7,
      "title": "내가 곧 길이요 진리요 생명",
      "kind": "metaphor",
      "image": "john-132-feedback-20261101-v1.jpg",
      "prompt": "Use case: historical-scene. Vible Bible art, one photorealistic 16:9 landscape. Create a fresh coherent composition without the faulty full-scene reference. Passage 요한복음 14:5–7: 도마가 이르되 주여 주께서 어디로 가시는지 우리가 알지 못하거늘 그 길을 어찌 알겠사옵나이까 예수께서 이르시되 내가 곧 길이요 진리요 생명이니 나로 말미암지 않고는 아버지께로 올 자가 없느니라 너희가 나를 알았더라면 내 아버지도 알았으리로다 이제부터는 너희가 그를 알았고 또 보았느니라 Required correction: Fresh John14:5–7 scene INSIDE simple Jerusalem upper room AT NIGHT before14:31 departure. Jesus seated RIGHT FOREGROUND STRICT BACK VIEW cream robe/brown hair no face. Thomas adult bearded man seated facing him with questioning open palm, several other disciples listening on low cushions, clay oil lamps on table, closed dark window. Calm intimate teaching, no daytime olive walk or lake. Natural wrists and hands, no books/modern lights. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. Never depict God as a human body or face; no invented heavenly figures unless explicitly required by the passage. For all carried arks completely conceal chest AND cherubim under one plain deep blue cloth. For fixed inner sanctuary scenes retain the actual prescribed cherubim. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 133,
      "chapter": 14,
      "first": 8,
      "last": 11,
      "title": "나를 본 사람은 아버지를 보았다",
      "kind": "narrative",
      "image": "john-133-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 14:8–11.\nScene: Philip asking Jesus an earnest question at upper-room table, Jesus face out of frame, no portrait of God.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 134,
      "chapter": 14,
      "first": 12,
      "last": 14,
      "title": "내 이름으로 구하라",
      "kind": "narrative",
      "image": "john-134-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 14:12–14.\nScene: Disciples' hands resting in prayer beside simple bread and water at upper-room table, natural lamp light, no glowing particles.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 135,
      "chapter": 14,
      "first": 15,
      "last": 17,
      "title": "너희와 함께할 보혜사",
      "kind": "metaphor",
      "image": "john-135.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 14:15–17.\nScene: Teaching metaphor: warm oil lamp beside open window with gently moving curtain, breath and presence represented subtly, no personification of Spirit.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 136,
      "chapter": 14,
      "first": 18,
      "last": 24,
      "title": "너희를 고아로 버려두지 않겠다",
      "kind": "narrative",
      "image": "john-136-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 14:18–24.\nScene: Jesus seen from rear comforting the remaining disciples in upper room, welcoming open hands and attentive men, no invented orphan children.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 137,
      "chapter": 14,
      "first": 25,
      "last": 27,
      "title": "너희에게 주는 평안",
      "kind": "narrative",
      "image": "john-137-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 14:25–27.\nScene: Calm low supper table, small olive oil lamp and untroubled water in basin, disciples quiet beyond, peaceful upper room.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 138,
      "chapter": 14,
      "first": 28,
      "last": 31,
      "title": "일어나, 여기를 떠나자",
      "kind": "narrative",
      "image": "john-138.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 14:28–31.\nScene: Jesus and remaining disciples rising from upper room and moving toward open doorway into night, practical lamp light, rear views.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 139,
      "chapter": 15,
      "first": 1,
      "last": 3,
      "title": "참 포도나무와 농부",
      "kind": "metaphor",
      "image": "john-139.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 15:1–3.\nScene: Parable illustration: gnarled grapevine cared for by farmer's hands with simple pruning knife, flourishing leaves and stone terrace.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 140,
      "chapter": 15,
      "first": 4,
      "last": 8,
      "title": "내 안에 거하라",
      "kind": "metaphor",
      "image": "john-140.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 15:4–8.\nScene: Parable illustration: close grapevine branch visibly connected to sturdy trunk, ripe grapes and one withered severed branch below, realistic botany.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 141,
      "chapter": 15,
      "first": 9,
      "last": 11,
      "title": "나의 사랑 안에 머물러라",
      "kind": "metaphor",
      "image": "john-141-feedback-20261101-v2.jpg",
      "prompt": "Only distant city skyline: REMOVE narrow belltowers, clocktower-like towers and church roofs and replace with low flat-roof ancient Jerusalem houses. Preserve whole foreground Jesus back-view, all disciples, grape arbor, oil lamp, deep NIGHT and olive hills, old stone wall and emotional lighting. No new towers.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 142,
      "chapter": 15,
      "first": 12,
      "last": 17,
      "title": "친구를 위해 내어주는 사랑",
      "kind": "narrative",
      "image": "john-142-feedback-20261101-v2.jpg",
      "prompt": "Replace EVERY glass-enclosed lantern on the right stone steps and near the far right olive tree with small OPEN clay oil lamps, plain terracotta bowls with one exposed wick/flame, no metal frame, glass or tall chimney. Preserve all people, hands, faces, night Jerusalem background, moon, steps and exact composition. No additional objects or changes.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 143,
      "chapter": 15,
      "first": 18,
      "last": 25,
      "title": "세상이 너희를 미워하더라도",
      "kind": "narrative",
      "image": "john-143.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 15:18–25.\nScene: Disciples walking a village lane while some people turn away, no physical assault, evening practicality and solidarity.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 144,
      "chapter": 15,
      "first": 26,
      "last": 27,
      "title": "처음부터 함께한 증인들",
      "kind": "narrative",
      "image": "john-144-feedback-20261101-v2.jpg",
      "prompt": "Precise composition edit. The woman with cream headscarf is STILL seated prominently left foreground between the two men. REMOVE her from that foreground seat, restoring unoccupied natural stone/path. Preserve her identity by showing her ONLY as a tiny ordinary woman walking far away on path below Jesus in background, separate from listening male disciples. Do NOT turn her into a man. Keep every male disciple face and position, Jesus strictly back view, night ancient Jerusalem LOW flat-roof skyline, olive trees and small clay lamps. No new towers.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 145,
      "chapter": 16,
      "first": 1,
      "last": 4,
      "title": "넘어지지 않도록 미리 말씀하다",
      "kind": "narrative",
      "image": "john-145-feedback-20261101-v1.jpg",
      "prompt": "Use case: historical-scene. Vible Bible art, one photorealistic 16:9 landscape. Create a fresh coherent composition without the faulty full-scene reference. Passage 요한복음 16:1–4: 내가 이것을 너희에게 이름은 너희로 실족하지 않게 하려 함이니 사람들이 너희를 출교할 뿐 아니라 때가 이르면 무릇 너희를 죽이는 자가 생각하기를 이것이 하나님을 섬기는 일이라 하리라 그들이 이런 일을 할 것은 아버지와 나를 알지 못함이라 오직 너희에게 이 말을 한 것은 너희로 그 때를 당하면 내가 너희에게 말한 이것을 기억나게 하려 함이요 처음부터 이 말을 하지 아니한 것은 내가 너희와 함께 있었음이라 Required correction: Fresh John16:1–4 quiet farewell teaching at NIGHT near Jerusalem: Jesus STRICT BACK VIEW seated on low rock olive path, five adult male disciples in modest ancient robes listen closely, one supported small clay oil lamp nearby, dark olive hillside/low distant Jerusalem, no lake/daylight. No actual synagogue exclusion action/hostile crowd—the speech predicts future event. Natural two hands/arms per person and grounded feet, no modern lights or buildings, no text/watermark. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. Never depict God as a human body or face; no invented heavenly figures unless explicitly required by the passage. For all carried arks completely conceal chest AND cherubim under one plain deep blue cloth. For fixed inner sanctuary scenes retain the actual prescribed cherubim. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 146,
      "chapter": 16,
      "first": 5,
      "last": 7,
      "title": "떠나심과 보혜사의 약속",
      "kind": "narrative",
      "image": "john-146-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 16:5–7.\nScene: Jesus back view and sorrowful disciples on olive path at night, practical lamplight preserving visibility, one open hand comforting.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 147,
      "chapter": 16,
      "first": 8,
      "last": 11,
      "title": "죄와 의와 심판을 밝히는 성령",
      "kind": "metaphor",
      "image": "john-147-feedback-20261101-v2.jpg",
      "prompt": "Use case: precise-object-edit. Edit target image. Change ONLY distant skyline: remove all bell towers, church spires, minarets and peaked modern tower roofs, replacing them with low flat roof ancient Jerusalem stone houses and a few plain square flat-roof watchtowers. Preserve foreground open scroll, table, clay lamp, olives, jars, columns, courtyard, morning light, composition exactly. John16 Spirit conviction represented by Scripture/light, no personified Spirit, no new figures, no text watermark.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 148,
      "chapter": 16,
      "first": 12,
      "last": 15,
      "title": "진리 가운데로 인도하시다",
      "kind": "metaphor",
      "image": "john-148.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 16:12–15.\nScene: Teaching metaphor: oil lamp lighting a narrow ancient path with a scroll resting on stone, linen curtain moved by wind, no glowing script.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 149,
      "chapter": 16,
      "first": 16,
      "last": 19,
      "title": "조금 후에 다시 보리라",
      "kind": "narrative",
      "image": "john-149-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 16:16–19: 조금 있으면 너희가 나를 보지 못하겠고 또 조금 있으면 나를 보리라 하시니 제자 중에서 서로 말하되 우리에게 말씀하신 바 조금 있으면 나를 보지 못하겠고 또 조금 있으면 나를 보리라 하시며 또 내가 아버지께로 감이라 하신 것이 무슨 말씀이냐 하고 또 말하되 조금 있으면이라 하신 말씀이 무슨 말씀이냐 무엇을 말씀하시는지 알지 못하노라 하거늘 예수께서 그 묻고자 함을 아시고 이르시되 내 말이 조금 있으면 나를 보지 못하겠고 또 조금 있으면 나를 보리라 하므로 서로 문의하느냐 Required correction: John16 farewell conversation at NIGHT after13:30 before18:1. Relight five disciples same faces/poses/gestures with clay oil lamp glow and cool dark night. Replace bright Galilee lake through right doorway with dark Jerusalem/olive hillside, no large lake, no modern towers, no daylight. Preserve room/table/scrolls and natural hands. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. Never depict God as a human body or face; no invented heavenly figures unless explicitly required by the passage. For all carried arks completely conceal chest AND cherubim under one plain deep blue cloth. For fixed inner sanctuary scenes retain the actual prescribed cherubim. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 150,
      "chapter": 16,
      "first": 20,
      "last": 22,
      "title": "근심이 기쁨으로",
      "kind": "metaphor",
      "image": "john-150.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 16:20–22.\nScene: Explicit teaching comparison: fully clothed mother holding peacefully swaddled newborn in a modest ancient home, no childbirth depiction, relieved joy.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 151,
      "chapter": 16,
      "first": 23,
      "last": 28,
      "title": "구하라, 기쁨이 충만하리라",
      "kind": "narrative",
      "image": "john-151-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 16:23–28.\nScene: Disciples prayerful hands around simple table, Jesus plain sleeve at edge, fatherly love conveyed without human image of God.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 152,
      "chapter": 16,
      "first": 29,
      "last": 33,
      "title": "담대하라, 내가 세상을 이기었다",
      "kind": "narrative",
      "image": "john-152-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 16:29–33.\nScene: Jesus rear view steady on a windswept olive path as disciples gather close, hopeful horizon and natural night-before-dawn ambience.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 153,
      "chapter": 17,
      "first": 1,
      "last": 5,
      "title": "아버지여, 때가 이르렀습니다",
      "kind": "narrative",
      "image": "john-153.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 17:1–5.\nScene: Jesus rear view lifting his eyes toward sky in prayer on quiet olive terrace at night, natural lamplight and stars, no image of God.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 154,
      "chapter": 17,
      "first": 6,
      "last": 10,
      "title": "주신 사람들을 위한 기도",
      "kind": "narrative",
      "image": "john-154-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 17:6–10.\nScene: Jesus praying with disciples quietly nearby, human solidarity and stillness, no extra crowd or heavenly bodies.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 155,
      "chapter": 17,
      "first": 11,
      "last": 13,
      "title": "저희도 하나가 되게 하옵소서",
      "kind": "narrative",
      "image": "john-155-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 17:11–13: 나는 세상에 더 있지 아니하오나 그들은 세상에 있사옵고 나는 아버지께로 가옵나니 거룩하신 아버지여 내게 주신 아버지의 이름으로 그들을 보전하사 우리와 같이 그들도 하나가 되게 하옵소서 내가 그들과 함께 있을 때에 내게 주신 아버지의 이름으로 그들을 보전하고 지키었나이다 그 중의 하나도 멸망하지 않고 다만 멸망의 자식뿐이오니 이는 성경을 응하게 함이니이다 지금 내가 아버지께로 가오니 내가 세상에서 이 말을 하옵는 것은 그들로 내 기쁨을 그들 안에 충만히 가지게 하려 함이니이다 Required correction: John17 prayer is NIGHT near Jerusalem. Replace Galilee lake/boats/sunset with dark olive hills/Kidron valley/low Jerusalem city; subtle moon/night light and clay oil lamp foreground, remove hanging glass lantern right arbor. Preserve Jesus STRICT BACK-VIEW seated and listening disciples faces/poses/hands/robes. No regular electric streetlight rows. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. Never depict God as a human body or face; no invented heavenly figures unless explicitly required by the passage. For all carried arks completely conceal chest AND cherubim under one plain deep blue cloth. For fixed inner sanctuary scenes retain the actual prescribed cherubim. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 156,
      "chapter": 17,
      "first": 14,
      "last": 19,
      "title": "진리로 거룩하게 하옵소서",
      "kind": "metaphor",
      "image": "john-156-feedback-20261101-v1.jpg",
      "prompt": "Use case: historical-scene. Vible Bible art, one photorealistic 16:9 landscape. Create a fresh coherent composition without the faulty full-scene reference. Passage 요한복음 17:14–19: 내가 아버지의 말씀을 그들에게 주었사오매 세상이 그들을 미워하였사오니 이는 내가 세상에 속하지 아니함 같이 그들도 세상에 속하지 아니함으로 인함이니이다 내가 비옵는 것은 그들을 세상에서 데려가시기를 위함이 아니요 다만 악에 빠지지 않게 보전하시기를 위함이니이다 내가 세상에 속하지 아니함 같이 그들도 세상에 속하지 아니하였사옵나이다 그들을 진리로 거룩하게 하옵소서 아버지의 말씀은 진리니이다 아버지께서 나를 세상에 보내신 것 같이 나도 그들을 세상에 보내었고 또 그들을 위하여 내가 나를 거룩하게 하오니 이는 그들도 진리로 거룩함을 얻게 하려 함이니이다 Required correction: John17:14–19 prayer before going across Kidron at NIGHT: original planned symbolic still life, no people. Create intimate ancient Jerusalem room at night: unrolled parchment with NO readable writing beside single open clay oil lamp on rough wood table, open doorway toward quiet dark inland Judean village/hills/stars, no market/daylight, no Jesus or other people, no modern objects or glass lantern. Preserve humble ivory/indigo/terracotta photographic tone, quiet left text space and sacred prayerful mood. Do not invent teaching event. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 157,
      "chapter": 17,
      "first": 20,
      "last": 23,
      "title": "앞으로 믿을 사람들도 하나로",
      "kind": "metaphor",
      "image": "john-157.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 17:20–23.\nScene: Prayer illustration: diverse first-century women and men gathered peacefully across a village courtyard, future believers represented as illustration, not people literally at Jesus's prayer.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 158,
      "chapter": 17,
      "first": 24,
      "last": 26,
      "title": "내 안에 있는 사랑",
      "kind": "narrative",
      "image": "john-158-feedback-20261101-v2.jpg",
      "prompt": "Use case precise-object-edit. Remove ONLY regular uniformly spaced row of glowing pathway streetlights across dark valley below Jerusalem. Replace path lights with dark dirt path/olive groves. Keep sparse warm indoor house oil-lamp glows in distant city, no modern electric path or city lighting. Preserve night sky/moon, Jesus strictly back view kneeling with two natural prayer hands, disciples' poses/faces/hands/robes, rock and dark Kidron valley. No other changes.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 159,
      "chapter": 18,
      "first": 1,
      "last": 3,
      "title": "횃불이 다가오는 동산",
      "kind": "narrative",
      "image": "john-159.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 18:1–3.\nScene: Jesus and disciples in garden across Kidron brook, soldiers approaching with torches and lanterns, night light realistic and readable.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 160,
      "chapter": 18,
      "first": 4,
      "last": 9,
      "title": "너희가 누구를 찾느냐",
      "kind": "narrative",
      "image": "john-160.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 18:4–9.\nScene: Jesus standing calmly facing soldiers from rear as several step back and lower themselves, disciples behind, no combat.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 161,
      "chapter": 18,
      "first": 10,
      "last": 11,
      "title": "검을 집에 꽂으라",
      "kind": "narrative",
      "image": "john-161.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 18:10–11.\nScene: Peter's hands lowering a short sword into its sheath while Jesus gestures to stop, no injured ear, no blood, garden torchlight.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 162,
      "chapter": 18,
      "first": 12,
      "last": 14,
      "title": "결박되어 안나스에게",
      "kind": "narrative",
      "image": "john-162-feedback-20261019-v2-feedback-20261030-recheck-v1.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 18:12–14.\nScene: Jesus fully clothed seen from rear with loosely bound wrists escorted to stone courtyard, dignified nonviolent framing, no bruises.",
      "generationStatus": "existing-image; revised-prompt-ready",
      "imageRevision": {
        "date": "2026-10-30",
        "generationMode": "edit",
        "sourceImage": "john-162-feedback-20261019-v2.jpg",
        "sourceSha256": "53449a74e68e351cd60ff8ecec9af5ca20ac39ef1b578e2adc60f6a29fe37c15",
        "sha256": "52024cb7beab3ea609934ceab522f8e1c3ffc67788edf8ea5c4038210383d899",
        "reason": "시대감 전달력 개선: 장식적 화로 받침과 현대식으로 읽히는 복장을 단순화하며 예수의 후면·유대 지도자 정체성을 보존.",
        "prompt": "Use case: precise-object-edit. Input image is the edit target. Make a localized correction to this Vible cinematic Bible frame. Preserve exact landscape framing, light, palette, all identities and faces, anatomy, clothing (unless specified), positions, hands, feet, other objects, and background. No text, logos or watermark. Replace only the right-hand decorative wrought-iron patio fire stand with a modest ancient bronze fire bowl on three plain straight stout legs, planted on the same paving. Keep fire away from clothing. The four elders on the upper steps wear simple plain ivory/beige linen mantles, without modern black striped shawls and modern black skullcaps; keep them recognizable as first-century Jewish elders, preserve beards/faces/postures. CRITICAL Jesus stays fully from behind, his face never visible, bound hands and the two guards' separate elbow grips unchanged."
      }
    },
    {
      "id": 163,
      "chapter": 18,
      "first": 15,
      "last": 18,
      "title": "문 앞에서의 첫 부인",
      "kind": "narrative",
      "image": "john-163.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 18:15–18.\nScene: Peter at high-priest courtyard doorway responding to a female doorkeeper, charcoal fire beyond, cold night and anxious original faces.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 164,
      "chapter": 18,
      "first": 19,
      "last": 24,
      "title": "드러내어 말한 가르침",
      "kind": "narrative",
      "image": "john-164.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 18:19–24.\nScene: Jesus back view answering Annas in a stone hall, guard nearby with hands lowered, no strike shown, simple practical lights.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 165,
      "chapter": 18,
      "first": 25,
      "last": 27,
      "title": "숯불 곁, 그리고 닭 울음",
      "kind": "narrative",
      "image": "john-165.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 18:25–27.\nScene: Peter beside charcoal fire avoiding questioning eyes, rooster at distant courtyard edge under early dawn, no tears mandated.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 166,
      "chapter": 18,
      "first": 28,
      "last": 32,
      "title": "새벽의 관정",
      "kind": "narrative",
      "image": "john-166-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 18:28–32: 그들이 예수를 가야바에게서 관정으로 끌고 가니 새벽이라 그들은 더럽힘을 받지 아니하고 유월절 잔치를 먹고자 하여 관정에 들어가지 아니하더라 그러므로 빌라도가 밖으로 나가서 그들에게 말하되 너희가 무슨 일로 이 사람을 고발하느냐 대답하여 이르되 이 사람이 행악자가 아니었더라면 우리가 당신에게 넘기지 아니하였겠나이다 빌라도가 이르되 너희가 그를 데려다가 너희 법대로 재판하라 유대인들이 이르되 우리에게는 사람을 죽이는 권한이 없나이다 하니 이는 예수께서 자기가 어떠한 죽음으로 죽을 것을 가리켜 하신 말씀을 응하게 하려 함이러라 Required correction: 좌상단 원경뾰족등탑부분만 낮고육중한헤롯시대평지붕사각탑으로. 빌라도/종교지도자 문밖/병사/새벽 보존. 예수 등장한다면뒷모습만. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 167,
      "chapter": 18,
      "first": 33,
      "last": 38,
      "title": "내 나라는 이 세상에 속하지 않는다",
      "kind": "narrative",
      "image": "john-167.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 18:33–38.\nScene: Pilate in Roman tunic speaking privately with Jesus rear view inside praetorium, spare grand architecture, no crown yet.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 168,
      "chapter": 18,
      "first": 39,
      "last": 40,
      "title": "바라바를 놓아 달라는 사람들",
      "kind": "narrative",
      "image": "john-168.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 18:39–40.\nScene: Crowd outside praetorium choosing release of Barabbas, Pilate above steps, no modern prison or violence.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 169,
      "chapter": 19,
      "first": 1,
      "last": 3,
      "title": "가시관과 자색 옷",
      "kind": "narrative",
      "image": "john-169.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 19:1–3.\nScene: Symbolic object close-up: woven thorn crown resting on purple cloth on Roman stone bench, guards distant, no torture shown.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 170,
      "chapter": 19,
      "first": 4,
      "last": 7,
      "title": "보라, 이 사람이다",
      "kind": "narrative",
      "image": "john-170-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 19:4–7: 빌라도가 다시 밖에 나가 말하되 보라 이 사람을 데리고 너희에게 나오나니 이는 내가 그에게서 아무 죄도 찾지 못한 것을 너희로 알게 하려 함이로라 하더라 이에 예수께서 가시관을 쓰고 자색 옷을 입고 나오시니 빌라도가 그들에게 말하되 보라 이 사람이로다 하매 대제사장들과 아랫사람들이 예수를 보고 소리 질러 이르되 십자가에 못 박으소서 십자가에 못 박으소서 하는지라 빌라도가 이르되 너희가 친히 데려다가 십자가에 못 박으라 나는 그에게서 죄를 찾지 못하였노라 유대인들이 대답하되 우리에게 법이 있으니 그 법대로 하면 그가 당연히 죽을 것은 그가 자기를 하나님의 아들이라 함이니이다 Required correction: 가시관자색옷예수완전뒷모습 기존후보유지. 단상앞현대금속파이프난간=>낮은돌난간벽으로. 빌라도손/병사/군중/빛유지. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 171,
      "chapter": 19,
      "first": 8,
      "last": 11,
      "title": "위에서 주지 않은 권세는 없다",
      "kind": "narrative",
      "image": "john-171.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 19:8–11.\nScene: Pilate questioning silent Jesus in stone hall, tense restrained mood, Jesus face hidden from camera, no violence.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 172,
      "chapter": 19,
      "first": 12,
      "last": 16,
      "title": "재판석에서 내린 결정",
      "kind": "narrative",
      "image": "john-172.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 19:12–16.\nScene: Pilate seated on tribunal at stone pavement Gabbatha, crowd below, Jesus standing rear view with guards distant, no attack.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 173,
      "chapter": 19,
      "first": 17,
      "last": 22,
      "title": "골고다의 십자가",
      "kind": "narrative",
      "image": "john-173.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 19:17–22.\nScene: Three crosses on a distant rocky hill outside Jerusalem, middle cross central, figures tiny and clothed, respectful distant non-graphic view, no generated inscription.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 174,
      "chapter": 19,
      "first": 23,
      "last": 24,
      "title": "나뉜 옷, 찢지 않은 속옷",
      "kind": "narrative",
      "image": "john-174.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 19:23–24.\nScene: Roman soldiers' hands casting lots beside folded seamless linen tunic, Golgotha rocky ground, crosses outside frame, no body visible.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 175,
      "chapter": 19,
      "first": 25,
      "last": 27,
      "title": "보라, 네 어머니라",
      "kind": "narrative",
      "image": "john-175.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 19:25–27.\nScene: Four fully clothed women including Jesus's mother and beloved disciple gathered at foot of a cross, camera on mourners' backs, crossbeam above frame, no wounds shown.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 176,
      "chapter": 19,
      "first": 28,
      "last": 30,
      "title": "다 이루었다",
      "kind": "narrative",
      "image": "john-176.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 19:28–30.\nScene: A vessel of sour wine and sponge on hyssop foreground with distant central cross under subdued natural sky, non-graphic, quiet solemn completion.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 177,
      "chapter": 19,
      "first": 31,
      "last": 37,
      "title": "참된 증인의 기록",
      "kind": "narrative",
      "image": "john-177.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 19:31–37.\nScene: Roman soldier's lowered spear beside cross's wooden base, linen and rocky ground, no body or piercing shown, restrained witness illustration.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 178,
      "chapter": 19,
      "first": 38,
      "last": 42,
      "title": "향품과 세마포, 새 무덤",
      "kind": "narrative",
      "image": "john-178.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 19:38–42.\nScene: Joseph and Nicodemus carrying a fully wrapped burial bundle into garden rock-cut tomb, clay jars of spices and linen, no visible corpse.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 179,
      "chapter": 20,
      "first": 1,
      "last": 2,
      "title": "돌이 옮겨진 아침",
      "kind": "narrative",
      "image": "john-179-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 20:1–2.\nScene: Mary Magdalene in modest earth-tone mantle arriving at open garden tomb before sunrise, rolling stone moved aside, recognizable empty threshold.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 180,
      "chapter": 20,
      "first": 3,
      "last": 10,
      "title": "달려온 두 제자와 세마포",
      "kind": "narrative",
      "image": "john-180.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 20:3–10.\nScene: Peter and beloved disciple at empty rock tomb, folded head cloth separately placed beside linen burial cloth on stone bench, no body.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 181,
      "chapter": 20,
      "first": 11,
      "last": 13,
      "title": "무덤 앞에서 울고 있는 마리아",
      "kind": "narrative",
      "image": "john-181.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 20:11–13.\nScene: Mary Magdalene looking into tomb with two simply white-clothed messengers seated at opposite ends of empty bench, no wings or magic light.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 182,
      "chapter": 20,
      "first": 14,
      "last": 16,
      "title": "마리아야",
      "kind": "narrative",
      "image": "john-182.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 20:14–16.\nScene: Mary Magdalene turning in recognition toward Jesus standing behind her in garden, Jesus back three-quarter view, morning light and original woman's face.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 183,
      "chapter": 20,
      "first": 17,
      "last": 18,
      "title": "내가 주님을 보았습니다",
      "kind": "narrative",
      "image": "john-183.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 20:17–18.\nScene: Mary Magdalene arriving to tell disciples at a stone home's doorway, urgent joyful expression, no one gripping Jesus.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 184,
      "chapter": 20,
      "first": 19,
      "last": 23,
      "title": "닫힌 문 안에 찾아온 평강",
      "kind": "narrative",
      "image": "john-184.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 20:19–23.\nScene: Jesus rear view standing among surprised then joyful disciples in closed stone room, natural evening lamp light, hands open, no portal effects.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 185,
      "chapter": 20,
      "first": 24,
      "last": 25,
      "title": "도마의 질문",
      "kind": "narrative",
      "image": "john-185.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 20:24–25.\nScene: Thomas listening skeptically to disciples' testimony in a plain stone room, hands held thoughtfully, no Jesus present.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 186,
      "chapter": 20,
      "first": 26,
      "last": 29,
      "title": "나의 주시며 나의 하나님",
      "kind": "narrative",
      "image": "john-186-feedback-20261019-v2.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 20:26–29.\nScene: Thomas facing Jesus with humble trusting posture, Jesus's open hand visible with subtle healed small mark only, no wounds close-up, no finger insertion.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 187,
      "chapter": 20,
      "first": 30,
      "last": 31,
      "title": "믿고 생명을 얻게 하려 기록하다",
      "kind": "metaphor",
      "image": "john-187.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 20:30–31.\nScene: Hands writing on parchment beside oil lamp, stacks of scrolls and morning window, readable text added only in app, editorial image of testimony.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 188,
      "chapter": 21,
      "first": 1,
      "last": 3,
      "title": "밤새 아무것도 잡지 못하다",
      "kind": "narrative",
      "image": "john-188-feedback-20261019-v2-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 21:1–3: 그 후에 예수께서 디베랴 호수에서 또 제자들에게 자기를 나타내셨으니 나타내신 일은 이러하니라 시몬 베드로와 디두모라 하는 도마와 갈릴리 가나 사람 나다나엘과 세베대의 아들들과 또 다른 제자 둘이 함께 있더니 시몬 베드로가 나는 물고기 잡으러 가노라 하니 그들이 우리도 함께 가겠다 하고 나가서 배에 올랐으나 그 날 밤에 아무 것도 잡지 못하였더니 Required correction: Remove continuous dense orange band of lights along opposite lakeshore; replace with dark moonlit hills and water, at most three faint isolated house lamps. Preserve EXACT SEVEN disciples, empty net connected grips, boat small clay lamp, moon/reflection and night. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. Never depict God as a human body or face; no invented heavenly figures unless explicitly required by the passage. For all carried arks completely conceal chest AND cherubim under one plain deep blue cloth. For fixed inner sanctuary scenes retain the actual prescribed cherubim. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 189,
      "chapter": 21,
      "first": 4,
      "last": 6,
      "title": "배 오른편에 그물을 던지라",
      "kind": "narrative",
      "image": "john-189.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 21:4–6.\nScene: Seven fishermen pulling full net on right side of wooden boat at dawn, Jesus distant rear view on shoreline, no flying fish.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 190,
      "chapter": 21,
      "first": 7,
      "last": 8,
      "title": "주시다! 물로 뛰어든 베드로",
      "kind": "narrative",
      "image": "john-190.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 21:7–8.\nScene: Peter fully clothed in outer garment wading or swimming toward lakeshore, other disciples guiding fishing boat and full net behind, no nudity.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 191,
      "chapter": 21,
      "first": 9,
      "last": 11,
      "title": "숯불 위의 생선과 떡",
      "kind": "narrative",
      "image": "john-191-feedback-20261101-v1.jpg",
      "prompt": "Use case: historical-scene. Vible Bible art, one photorealistic 16:9 landscape. Create a fresh coherent composition without the faulty full-scene reference. Passage 요한복음 21:9–11: 육지에 올라보니 숯불이 있는데 그 위에 생선이 놓였고 떡도 있더라 예수께서 이르시되 지금 잡은 생선을 좀 가져오라 하시니 시몬 베드로가 올라가서 그물을 육지에 끌어 올리니 가득히 찬 큰 물고기가 백쉰세 마리라 이같이 많으나 그물이 찢어지지 아니하였더라 Required correction: 요21:9-11 제자총7명 모두물가도착한단일순간. 빈고기잡이배해변정박. 베드로1이153큰물고기가득한찢기지않은그물끝을뭍으로끌고 다른6명숯불쪽다가옴. 예수별도1완전뒷모습 우측숯불생선/떡곁앉음. 7+1인원분리, 새벽갈릴리. 반복시점섞인전체구도새로. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 192,
      "chapter": 21,
      "first": 12,
      "last": 14,
      "title": "와서 아침을 먹으라",
      "kind": "narrative",
      "image": "john-192-feedback-20261101-v1.jpg",
      "prompt": "Use case: precise-object-edit. Vible Bible art, one photorealistic 16:9 landscape. Input is edit target; preserve unaffected faces, clothes, composition, lighting and background scale. Passage 요한복음 21:12–14: 예수께서 이르시되 와서 조반을 먹으라 하시니 제자들이 주님이신 줄 아는 고로 당신이 누구냐 감히 묻는 자가 없더라 예수께서 가셔서 떡을 가져다가 그들에게 주시고 생선도 그와 같이 하시니라 이것은 예수께서 죽은 자 가운데서 살아나신 후에 세 번째로 제자들에게 나타나신 것이라 Required correction: 우하제자회색옷모서리반투명기하워터마크만제거 주변천질감복원. 제자7/예수뒤모습/떡주는손받는손/숯생선/새벽유지. Preserve Scripture, identities and actual biblical cherubim. Natural hands, connected wrists/elbows/shoulders, coherent limbs, supported objects and grounded feet. Jesus strictly back-view, no face. Never depict God as a human body or face; no invented heavenly figures unless explicitly required by the passage. For all carried arks completely conceal chest AND cherubim under one plain deep blue cloth. For fixed inner sanctuary scenes retain the actual prescribed cherubim. No added winged ornaments. No modern objects, text, watermark or logo. Entire scene, no comparison.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 193,
      "chapter": 21,
      "first": 15,
      "last": 17,
      "title": "네가 나를 사랑하느냐",
      "kind": "narrative",
      "image": "john-193.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 21:15–17.\nScene: Peter and Jesus quietly speaking apart from breakfast by lake, Jesus back view, Peter's deeply moved original face, no invented sheep in actual scene.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 194,
      "chapter": 21,
      "first": 18,
      "last": 19,
      "title": "나를 따르라",
      "kind": "narrative",
      "image": "john-194.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 21:18–19.\nScene: Jesus and Peter walking along lakeshore from rear, morning light and distant boat, no future crucifixion of Peter shown.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 195,
      "chapter": 21,
      "first": 20,
      "last": 23,
      "title": "그 사람이 아니라 너는 나를 따르라",
      "kind": "narrative",
      "image": "john-195.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 21:20–23.\nScene: Peter looking back toward beloved disciple following at distance, Jesus ahead along shoreline, calm three-person geometry.",
      "generationStatus": "existing-image; revised-prompt-ready"
    },
    {
      "id": 196,
      "chapter": 21,
      "first": 24,
      "last": 25,
      "title": "세상도 담을 수 없는 이야기",
      "kind": "metaphor",
      "image": "john-196.jpg",
      "prompt": "Use case: historical-scene. Asset: Visual Bible context illustration, one cinematic 16:9 landscape frame. Large-format photorealistic historical epic, natural-light realism, rich visual depth with foreground/midground/background, 28–50mm lens, tactile limestone, weathered olive wood, undyed linen, terracotta, sage green and pale Mediterranean blue. First-century Judea, Galilee or Samaria as specified; authentic period objects and geography. Bright readable natural exposure for daytime; nighttime must remain nighttime with credible moonlight and oil lamps, never crushed shadows. Faces only when narratively needed; use varied original historically plausible West Asian women and men, never reuse one actor for all people. Jesus is a first-century Jewish man, dark wavy hair, plain undyed linen tunic and muted sand mantle, always seen from behind, distant or with face outside frame; same clothes across scenes except when passage specifies otherwise. Depict God and Holy Spirit without human faces or fantasy bodies. Humane dignity in illness and grief. No invented events, no modern objects, no magical glow, no halo, no lettering, no logos or watermarks. Compose for scripture OVERLAID on the LEFT: reserve the left 42 percent as quiet low-detail natural scenery with no main people or meaningful objects; place the principal people, props and action in the right-center 55–88 percent, with breathing room from the edges. Make the story intelligible on the right without placing anything important beneath the scripture. Keep the lower 18 percent free of essential faces or gestures for the mobile bottom overlay. Physical plausibility is mandatory: connected anatomically correct limbs, plausible joints and weight-bearing posture, feet supported by ground or an appropriate surface, natural grips, continuous coherent object structures, credible scale, gravity and perspective. Never intersect bodies with walls, furniture, vessels or boat hulls. At wells nobody sits inside the opening or puts feet into the shaft: use a separate bench outside the parapet, both sandaled feet visible on dry ground, a clear gap between legs and the shaft; buckets hang from a continuous rope over an open well. Water comes from a handled vessel or a real spring and falls downward, never from an invented faucet. Each visual metaphor must remain a visual metaphor and must not invent an event in the passage. Each image must visibly explain this specific passage and differ from neighboring shots; maintain film color and materials, avoid generic repeated valleys.\nPassage: John 21:24–25.\nScene: Editorial metaphor: open parchment scroll and many rolled scrolls on a stone desk overlooking lake and horizon, no modern book or readable generated text.",
      "generationStatus": "existing-image; revised-prompt-ready"
    }
  ]
}